Alexandra Rodríguez aka AlexandrIA

Pinterest, then Midjourney

Alexandra Rodríguez found generative AI the way a lot of people did: through striking images on Pinterest. In a May 2024 interview she said that about a year and a half earlier she had followed those pictures back to Midjourney and started experimenting, and that before AI she thought of herself as creative rather than an artist, someone who wrote and made scrapbooks^[23]. She had joined X as @AleRVG in May 2022, and she posts there as AlexandrIA, a name whose last two capitals spell IA, the Spanish for AI^[3].

Talent is innate, but AI makes it easier to express it.

Alexandra Rodríguez^[23]

Her early reputation was built on stills. By 2024 she was best known for WarBride, a series of brides set against devastation, and she described what drew her to it in one line: she loves images that juxtapose opposing concepts^[23]. That idea, two things that should not belong together made to look completely natural, runs through everything she has made since.

Sharing the recipe

From the start she published her methods along with her pictures. She posts Midjourney style reference codes with almost every still, and a single Niji 6 style reference post in September 2024 drew 245K views on X^[25][40]. Her prompt threads travel too: one on Magnific Mystic 2.5 passed 115K views, and a set of JSON-prompted video intros in July 2025 passed 126K^[26][27]. Her commentary on the tools does too: a May 2026 post on Runway's Aleph 2.0 drew 298K views, and her November 2025 image post Divinity debugged drew 112K^[31][39].

Things made of other things

In March 2025 she found the format that made her name on video. Ordinary leaves on extraordinary animals, made with Kling 1.6 and Freepik's video upscaler, showed animals folded from leaves and paper in a forest, origami style^[12]. A Jungle Edition followed four days later, made with the creator @pabloprompt, and a leaf orangutan reel she posted on Instagram the same day has since passed 740K views^[13][14]. That reel, the paper T-rex that followed and a later Wild workers reel were all co-published with @pabloprompt, a curator account with tens of millions of views of its own, so her pieces reached his audience as well as hers^[41][42]. Weeks later came Relics of Tomorrow, jewelled, porcelain and clockwork insects shot like future fossils in Midjourney v7, Magnific and Runway Gen-4, which reached 275K views on X^[10].

The material swaps kept coming. Creative Doses turned food and drink surreal in Kling 2.0 and drew 145.7K views^[28]. Brands Worlds, again with @pabloprompt, built miniature workplaces inside a Staedtler pencil, a PlayStation controller, a Domino's box, a Kinder Surprise egg and an Amazon parcel^[16]. Animali Botanici grew animal faces out of flowers^[15]. Then in September 2025 Peel the Wild had a frog peel like an orange, a mouse like a cucumber, a hen like a potato and a cat like an aubergine, made with Seedream 4 and Kling 2.1's start and end frames^[11]. Tailored Within hid tiny workplaces inside garments on hangers, and Made with Love served a breakfast built from craft materials^[17][29].

I love images that juxtapose opposing concepts.

Alexandra Rodríguez^[23]

Clay, dolls and impossible creatures

2026 brought characters. In January, Plastic Hangover followed a fashion doll from Christmas dinner to a grave for her credit score and back to the office, made in LTX Studio and watched 185K times on X^[18]. In March she posted Upgraded Instincts, a claymation-look comedy made with Seedance 2 in which cavemen invent modern habits, captioned with the thought that every generation thinks it is teaching the world^[6]. On Instagram it passed 1.07 million views, her most watched work on any platform^[5].

Ten days later Uncharted Life 2.0, a macro nature documentary of creatures that do not exist, made with Midjourney and Topaz, became her most viewed post on X at 587K views^[8]. Over the summer a knitted claymation pharaoh on a pyramid building site reached 829K views on Instagram, a fashion doll walking blindfolded past a path of red flags reached 514K, and her Surreal Cup images for the football summer drew 240K views on X^[19][20][30]. Surreal Cup spread well beyond her accounts: the Spanish magazine Vanidad reposted it as an Instagram carousel that drew 43,000 likes, and Rivista Undici, Mucho and others followed^[43][44]. In September she switched to a painted storybook look for How to Bathe a Dragon, made with Midjourney, Seedance 2.5 and Topaz^[22].

The final frame

She is generous with how she works. In June 2026 she published her Seedance prompting templates and the rule behind them: in Seedance, your image is the final frame, and the movement is the idea^[21]. One template is a single continuous transformation shot with a slow push and no cuts, because a cut would break the transformation; the other is a causal chain of roughly 1.5-second cuts with a stop-motion, paper-craft rhythm^[21]. Before that, ideas start in a customised ChatGPT she briefs with a role and instructions, and images are iterated in Midjourney and refined in Magnific^[23].

Her X bio describes her as an AI creative making narrative visuals and lists creative partner programmes with Runway, Hailuo, Dreamina, Lovart, Kling AI, CapCut, Topaz, Flora and Magnific; her Linktree adds Ideogram and LTX^[3][24]. Those are her own descriptions and have not been confirmed with each company.

On AI LIVE

On AI LIVE Ep. 135, on 20 October 2026, Chris Branch called her one of the most featured creators in the show's history and a top 10 name, listing her alongside Uncanny Harry^[1][2]. Her Evening at the Museum, a stop-motion-style 3D cartoon in which a museum guard and a mummy are caught smoking by their boss beside a 3,000-year-old exhibit, was the top-voted piece of the night with 16 straight 1s^[1][7]. The chat compared the textured animation to The Boxtrolls^[1].

Just every single piece is a banger and it's just so fun.

Chris Branch, AI LIVE Ep. 135^[2]